Blogtrotters

Showing posts with label traditional ethiopian music. Show all posts
Showing posts with label traditional ethiopian music. Show all posts

Thursday, June 22, 2017

v.a. - Ethiopian Wedding, Vol. 1 [2016] [ethiopia]














Amsal Mitke - Wedding music






01 - Amsal Mitke - Mushiraye (6:50)
02 - Tadesse Mekete - Amrobatal (5:16)
03 - Aserat Bosena - Ere Na Gobezu (4:22)
04 - Dawit Tsige - Tamrialesh (8:04)
05 - Bewketu Sewmehon - Asayew Lalayew (5:31)
06 - Amsal Mitke - Abajaliye (7:32)
07 - Mebre Mengistu - Govezena (2:22)
08 - Seyoum Moges - Ajeb Newu (8:09)
09 - Teferi Mata - Yidnekachew (7:59)
10 - Demere Legesse - Balezena (6:43)
11 - Aregahegn Worash - Mushiraye (5:26)
12 - Asheber Belay - Aho Bel (5:30)

Monday, May 29, 2017

Tamene Mekonnen - Tamene Mekonnen and His Krar [ethiopia]











Interview with Kirar Player Tamene Mekonnen - Part 1





Tamene Mekonnen - 01 - Che belew (7:32)
Tamene Mekonnen - 02 - Hulum sew (5:04)
Tamene Mekonnen - 03 - Ambassel (6:49)
Tamene Mekonnen - 04 - Tekelkel (4:37)
Tamene Mekonnen - 05 - Tezeta (3:51)
Tamene Mekonnen - 06 - Gum - gum (2:31)
Tamene Mekonnen - 07 - Fanno - Erminew menew (5:37)
Tamene Mekonnen - 08 - Gra gebagn (4:07)
Tamene Mekonnen - 09 - Temesgen (4:21)
Tamene Mekonnen - 10 - Ibakesh atrakign (3:32)
Tamene Mekonnen - 11 - Ante ager zor bel (6:15)
Tamene Mekonnen - 12 - Satenaw (5:02)






Sunday, May 21, 2017

Mahmoud Ahmed - Tizita vol 1 [1996] [ethiopia]






   R   E   U   P   L   O   A   D   

















01. Mahmoud Ahmed - ANCHI BALE GAME (6:43)
02. Mahmoud Ahmed - YENURO METENSHIN (6:14)
03. Mahmoud Ahmed - TEYIKESH TEREJI (6:35)
04. Mahmoud Ahmed - ASHKARO (4:40)
05. Mahmoud Ahmed - TIZITA (11:10)
06. Mahmoud Ahmed - TEW LIMED GELAYE (7:55)
07. Mahmoud Ahmed - TERESASH WOY (5:08)
08. Mahmoud Ahmed - ENGEDAYE NESH (2:55)
09. Mahmoud Ahmed - YESHI HAREGITU (3:31)
10. Mahmoud Ahmed - ENDEGENA (4:49)



Wednesday, May 10, 2017

Hamelmal Abate - Marewa [ethiopia]






   R   E   U   P   L   O   A   D   













   Hamelmal Abate, born in Harar, Ethiopia, is the queen of Ethiopian music. Her incredible voice and timeless arrangements appeal to traditional and modern tastes alike, which is why her live shows play to sold out crowds around the world.










      

01. Hamelmal Abate - Behig Belulign (5:48)
02. Hamelmal Abate - Ehud Bemaleda (5:26)
03. Hamelmal Abate - Marewa (7:07)
04. Hamelmal Abate - Tew Demam (4:57)
05. Hamelmal Abate - Anten New (7:06)
06. Hamelmal Abate - Leyu Jano (6:23)
07. Hamelmal Abate - Gelaye Zemede (6:27)
08. Hamelmal Abate - Nafikehalehu (7:51)
09. Hamelmal Abate - Manem Sew Alireta (4:18)
10. Hamelmal Abate - Essalihalehu (4:46)




Thursday, April 27, 2017

Fantahun Shewankochew - Shegneches Semeles [ethiopia]












       Fantahun Shewankochew is a Toronto-based musician (vocalist, song writer, instrumentalist, arranger and composer). His new release Adera (An Undertaking) is a rediscovery of Ethio-jazz, traditional and popular Ethiopian music with a modern twist. Fantahun Shewankochew has crafted an album that harkens back to the golden era of Ethiopian music. 

        Born in Addis Ababa, Ethiopia, Fantahun hails from a country with a diverse mix of rich culture, tradition and music. Affectionately called “Fantish” by his friends and fans, Fantahun discovered his talent for music at a very young age when he participated in school performances as a singer, often imitating famous Ethiopian vocalists like Muluken Melese and his idol the late Tilahun Gessesse, undoubtedly the most revered and iconic figure who dominated Ethiopia’s modern music for almost half-a-century. To develop his talent, Fantahun joined the Yared School of Music in Addis Ababa, where he studied for four years and graduated in the early 80’s with a diploma in trumpet and the Ethiopian traditional instrument called krar, a harp-like five-or six-string lyre played using the fingers or in combination with a pick. His stint in the school not only provided him with the necessary academic credential and a better understanding of what underlies his music, but also created the historic opportunity of producing the Amharic hit song “Kiraren Biqagnew”, his signature song that introduced him to the public. Fresh from school, he was hired by the renowned Ethiopian National Theatre as a trumpet player and worked as a vocalist on the side with the Mahiran Band that he co-founded. 






Fantahun Shewankochew - Yeberetuma




       He released his first album - Kiraren in 1986 with the Mahiran band. He released three more albums: “Min Yelelesh Ale”, “Shegnichesh Semeles”, and “BeYikirta”. Besides his artistic and administrative responsibilities at the Ethiopian National theatre where he worked for over 20 years in various capacities including Coordinator of the music department, Fantahun formed one more music band –the Medina Band, collaborated with famous musicians and also went on international music tours in Africa, North America, South America, Europe, China and the Middle East.





Fantahun Shewankochew - Kiraren Bikagnew




           While in tour in Paris, France, Fantahun collaborated with the famous and now US-based Ejigayehu Shibabaw, a.k.a. Gigi., and released the “Ethiopian Love Songs” album. His tour with a group of musicians that included four German instrumentalists (Jochen Engel, Patrick Langer, Jörg Pfeil and Michael Ehret) and four Ethiopian vocalists (Abonesh Adnew, Tigist Bekele, Wondwossen Kassa and Binyam Kindya), organized under a band called “Sounds of Saba” offered Fantahun the opportunity to fulfill his dream of introducing Ethiopian music to the rest of the world and also to participate in the group’s 1998 “Tizita” album in which he participated as a vocalist, kirar player and percussionist. Representing Ethiopia with the Cultural Orchestra of the ENT, Fantahun has participated at some of the biggest international musical events including the Ravera festival in Italy and the Houston International festival in Texas, USA. 











         Fantahun made Toronto his new home in 2011 and he has since collaborated with fellow Ethiopian and other Canadian musicians and performed at such venues as the Glenn Gould Studio, Lula Lounge, Harbourfront Centre, the Music Gallery, the Gladstone Hotel and the Luminato Festival. No less important is his contribution to the Ethiopian Community in Toronto. In the same year he arrived in Toronto, for example, he got himself busy serving as artistic director of a spiritual concert & drama organized by fellow artists in collaboration with the choir of the Toronto Membere Birhan Saint Mary Ethiopian Orthodox Cathedral to raise fund for the construction of the Church’s new cathedral. The show was a complete sell-out and a phenomenal success.

      Regarding his plans in music, Fantahun has a keen interest to introduce Ethiopian traditional music, which he says has gained more and more popularity in many European countries but not so much here in Canada. In addition to his many personal projects in the pipeline, he plans to introduce to Canadians Ethiopia’s distinct modal system that is pentatonic called qenet, of which there are four main modes: tezeta, bati, ambassel, and anchihoye and other additional modes which are basically variants of the four modes.





Fantahun Shewankochew - 01 - Shegneches Semeles (5:15)
Fantahun Shewankochew - 02 - Zelalemaw neshe (4:33)
Fantahun Shewankochew - 03 - Abete setawekebet (4:51)
Fantahun Shewankochew - 04 - Ezawe betebelesh (4:20)
Fantahun Shewankochew - 05 - Legenet abeba (5:27)
Fantahun Shewankochew - 06 - Menezewa kezeba (4:23)
Fantahun Shewankochew - 07 - Menoeren senoru (5:28)
Fantahun Shewankochew - 08 - Yedemek cewatachen (5:26)
Fantahun Shewankochew - 09 - Yedemekelesh cewatachen (5:34)
Fantahun Shewankochew - 10 - Yeete new (5:31)
Fantahun Shewankochew - 11 - Yefa enawetaw (4:50)




Wednesday, April 19, 2017

Anmut Kinde (Habtu Nigatu) - Traditional Instrumental [ethiopia]















Anmut Kinde (Habtu Nigatu) - Ye Wahint Engurguro






Anmut Kinde (Habutu Nigatu) - 01 - Yenem Hager Hager (6:50)
Anmut Kinde (Habutu Nigatu) - 02 - Gedam Endegeba (4:47)
Anmut Kinde (Habutu Nigatu) - 03 - Endegena (6:47)
Anmut Kinde (Habutu Nigatu) - 04 - Oromigna (5:16)
Anmut Kinde (Habutu Nigatu) - 05 - Shemonmanye (5:32)
Anmut Kinde (Habutu Nigatu) - 06 - Eyewat sitenafikegn (5:18)
Anmut Kinde (Habutu Nigatu) - 07 - Gum Gum (6:18)
Anmut Kinde (Habutu Nigatu) - 08 - Etalem Sirew Betishin (6:00)
Anmut Kinde (Habutu Nigatu) - 09 - Guragigna (4:12)
Anmut Kinde (Habutu Nigatu) - 10 - Mushiraye Yetibarek (6:47)





Tuesday, April 18, 2017

Mahmoud Ahmed - Yitbarek [2003] [ethiopia]





   R   E   U   P   L   O   A   D  


















01. Mahmoud Ahmed - Yitbarek (3:48)
02. Mahmoud Ahmed - Almaz (20:34)
03. Mahmoud Ahmed - Fitsum Dink Lij Nesh (5:52)
04. Mahmoud Ahmed - Tseguruna Werdo Werdo (4:44)
05. Mahmoud Ahmed - Kulum (11:03)
06. Mahmoud Ahmed - Lale Lale (5:25)
07. Mahmoud Ahmed - Asheweyna (5:51)
08. Mahmoud Ahmed - Mushiraye (6:54)
09. Mahmoud Ahmed - Hay Loya (3:24)



Tuesday, March 28, 2017

Demere Legesse - Best Traditional Songs [ethiopia]











       Demere Legesse was born on February 19, 1969 from his father Legesse Tesema Bilhate and his mother Debre Beshah Ayele. He was born in Agarfa, Bale in a small town called Galema Hebeno. He attended grade 1 up to 6 in Galema Hebeno Sefera Mender School, 7 and 8 in Agarfa Melestegna Primery School, 9 and 10 Batu Terara Secondary School, 11 and 12 in Addis Abeba Nifas Silk and Maremiya Betoch School.

     In February 8, 1987 he traveled to Addis Ababa and employed as a police officer in Maremiya Betoch. After 6 month military technical course in Aleltu he was introduced as a vocalist in Maremiya Police Orchestra. After working for 14 years from 1987 to 2001 in Maremiya Police Orchestra he formed his own music band named DL Band. He handled numerous music concerts and matrimonial festival for bride and bridegroom in Ethiopia and for those who come from America, Canada, Europe, Australia and different countries.






Demere Legesse - Awdamet



      Demere is one of the members of Yellow Page which is Ethiopian musicians community. He has a great roll in Ethiopian musical industry of wedding and culture. As a mater of fact he presented cultural and nuptial music such as Kana Zgelila (Special Church Song), Melkam Kelebet (Reggae Style Nuptial Music), Awddeamet 2001, Awddeamet 2003, Kotu Malo, Sendelewa, Burtukkee, and others.

    Back in Maremiya Betoch Orchestra, Demere found his soul mate Etenesh Girma Bogale and married in March 18, 1990. One year later they have their first baby Nathnael in May 1991, the second baby Abel in October 1996 and the third Rodas in August 2008. And now Demere has 3 children and 3 houses plus personal band.

Demere’s discography:

In 1996 his first wedding album – Mirt Yeserg Zefenoch (Best Wedding Music)
In 1997 second modern album - Taxi
In 2000 third Amharic cultural album – Mirt Yebahl Zefenoch (Best Cultural Music)
In 2001 forth album contains nationality and wedding records – Des Yilal
In 2004 fifth Amharic cultural album - Wegen Alegn
In 2008 sixth wedding album - Kana Zegelila
In 2009 seventh Oromifa Album - Oromummaa




Demere Legesse - 01 - Yitayal (Minjar) (5:12)
Demere Legesse - 02 - Netihima (Oromigna) (5:40)
Demere Legesse - 03 - Shebela (Gojam) (5:42)
Demere Legesse - 04 - Almuleli (Guragigna) (4:46)
Demere Legesse - 05 - Balezina (Gonder) (5:21)
Demere Legesse - 06 - Emebete (5:39)
Demere Legesse - 07 - Sendelewa (Wollo) (6:29)
Demere Legesse - 08 - Kotu Mallo (Oromigna) (6:56)
Demere Legesse - 09 - Yimechalu (Harer Dere) (6:38)
Demere Legesse - 10 - Awdamet (6:16)
Demere Legesse - 11 - Wogen Alegn (5:12)
Demere Legesse - 12 - Mareye (6:33)




Tuesday, March 7, 2017

Betsat Seyoum - Basresagn [2005] [ethiopia]





   R  E  U  P  L  O  A  D   











            Bitsat Seyoum was born in Addis Abeba, Ethiopia. She attended ‘Felege Yordanos Elementary School’ (staring at the age of 4) and ‘Shemeles Habte Secondary School’. She always loved singing and was encouraged by many friends to perform. One thing led to another and Bitsat found herself beginning her singing career in an ‘Azmari Bet’ (a traditional venue where musicians {azmaris} alongside dancers and instrumentalists, perform traditional Ethiopian music). Her music was discovered by many and soon, she was touring internationally.






Bitseat Seyoum - Basresagna





       Working with all the big names of that musical era, Bitsat began recording her songs. Mulatu Astatke (who is often referred to as the father of EthioJazz) arranged the music for her first cassette recording. With masters of the Amharic poetic form ‘Wax and Gold’ (traditional poetry characterised by double meaning) and musicians and composers like Tilahun Gessesse, Gultu Tefera, Teddy Afro, Moges Teka, Mulugeta Tesfaye, Yelema Gebreabe and plenty more, she performed and recorded her work. She opened up her own successful night club in Addis Abeba named BITSAT and became famous for her witty and skilful improvisations of the ‘Wax and Gold’ poetry.

       Bitsat now lives in Melbourne with her husband, Tesfaye Temamo (a writer, director and actor) and children.






01. Betsat Seyoum - Basresagn (6:16)
02. Betsat Seyoum - Yichalal (4:26)
03. Betsat Seyoum - Enesebaseb (7:24)
04. Betsat Seyoum - Senafekeh (5:45)
05. Betsat Seyoum - Sewuyew (6:33)
06. Betsat Seyoum - Feker Awkalehu (4:48)
07. Betsat Seyoum - Alsemen Geba Belew (6:07)
08. Betsat Seyoum - Tebebegnaw (5:02)
09. Betsat Seyoum - Getenetu (6:08)
10. Betsat Seyoum - Bawetagn (4:37)




Tuesday, February 28, 2017

Alemu Aga - Ethiopia [Three Chordophone Traditions] [1972]

          





   R   E   U   P   L   O   A   D   



Alemu Aga, begenna master..









       Born in 1950 in Entoto, near Addis Ababa, Alemu Aga has played the Ethiopian traditional lyre begenna since he was 12, having been trained by a famous master, Aleqa Tessama Wolde-Ammanuel, who was his neighbour and teacher at his school.











       Graduated from the Addis Ababa University (in geography), he taught the begenna at the Yared Music School until 1980. He now teaches on a voluntary basis and focuses on his researches about the begenna.

       He has published numerous audiotapes and several CD's and appeared in concert worldwide. Nowadays, Alemu Aga is the most highly respected Begenna player of Ethiopia.











01   Selamta   [The Creation]   2:52
02   Fäbälähala   [The Creation]     2:40
03   ABBA Gran Motä   (Death of the Left-Handed)   5:30
04   Mädägäna Zäläsana Bätbaze   (About the Futility of Life)   4:31
05   Instrumental Melody   1:47
06   Tälafino Gomdär   3:52
07   Tene Eko   (I Am Yours and You are mine)   5:59
08   Ambasel   6:20
09   Seläla   (War Song)   3:56
10   Gämay Eney   (Come Little Girl and Chat with Me)   4:25
11   Wayä Luleho   5:03
12   Samni   (Kiss Me)   5:17



Tuesday, January 17, 2017

Mahmoud Ahmed - Live at WOMAD [2005] [ethiopia]





   R   E   U   P   L   O   A   D   









1. Mahmoud Ahmed - Live at WOMAD 2005 (73:00)









Monday, January 16, 2017

v.a. - Krar & Masinko [ethiopia]











Krar Collective




       The krar or kraar is a five- or six-stringed bowl-shaped lyre from Eritrea and Ethiopia. The instrument is tuned to a pentatonic scale. A modern krar may be amplified, much in the same way as an electric guitar or violin.


        A chordophone, the krar is usually decorated with wood, cloth and beads. Its five or six strings determine the available pitches. The instrument's tone depends on the musician's playing technique: bowing, strumming or plucking. If plucked, the instrument will produce a soft tone. Strumming, on the other hand, will yield a harmonious pulsation. The instrument is often played by musician-singers called azmari. It usually accompanies love songs and secular songs.











Masinko tutorial




        The masinko (also spelled mesenqo, mesenko, mesenko, mesinko, or mesinqo) is a single-stringed bowed lute commonly found in the musical traditions of Ethiopia and Eritrea. As with the krar, this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic) . Although it functions in a purely accompaniment capacity in songs, the masinko requires considerable virtuosity, as azmaris accompany themselves while singing.


     The square- or diamond-shaped resonator is made of four small wooden boards glued together, then covered with a stretched parchment or rawhide. The single string is typically made of horse hair, and passes over a bridge. The instrument is tuned by means of a large tuning peg to fit the range of the singer's voice. It may be bowed by either the right or left hand, and the non-bow hand sits lightly on top of the upper part of the string.






01 - Derbe Zenebe - Esti leguaz (5:18)
02 - Maritu Legesse - Akale Webe (4:50)
03 - Gash Abera Mola - Yameral Agere (5:17)
04 - Samuel Kassa - Techno Be'Masinko (3:27)
05 - Gigi & Yeshi Demelash - Bati [Reggaetopia - single] (5:59)
06 - Mahmoud Ahmed & Gossaye Tesfaye - Adera (5:52)
07 - Eskedar Amsalu - Bayeshelegn (7:15)
08 - Rasselas - Tizita (ft. Bezuayehu Demissie) (4:11)
09 - Gigi - Tew Maneh (4:54)
10 - Gigi - Kiraren Bikagnew (5:37)
11 - Asnaketch Worku - Arada (3:01)
12 - Mary Armeday - Enem Lefelefkugn Melageruw Sema (3:39)
13 - Mahmoud Ahmed - Anchiye Hodiye (4:36)
14 - Endris - Masinko (2:36)





Monday, December 5, 2016

Chalachew Ashenafi - Ye-zemed Neger [ethiopia]












Chalachew Ashenafi - Gonder Welkait Tegede





Chalachew Ashenafi - 01 - Aya Belew (7:13)
Chalachew Ashenafi - 02 - Atenchi Bayne Lay (4:37)
Chalachew Ashenafi - 03 - Fekiresh Welelaw (6:42)
Chalachew Ashenafi - 04 - Ye-Abay Derewa Loga (5:32)
Chalachew Ashenafi - 05 - Bewala Bewala (5:30)
Chalachew Ashenafi - 06 - Anchi woye (7:22)
Chalachew Ashenafi - 07 - Ene Gonebes Biye (9:34)
Chalachew Ashenafi - 08 - Ere Endemin Alesh (6:26)
Chalachew Ashenafi - 09 - Menjar (6:45)
Chalachew Ashenafi - 10 - Yetebarek (5:16)